Wednesday, 2 February 2011
Tuesday, 1 February 2011
Phone Call To Staincliffe Hotel
Phone Call To Staincliffe Hotel
We contacted the Staincliffe to try and confirm a booking of one of their function rooms. This was to give the correct backdrop for the film noir that we were creating:
The conversation was along the lines of:
'Hi, I was wondering if a media group from Hartlepool Sixth Form College could use a function room to film some of our coursework. We won't disturb anyone and be very grateful'
We contacted the Staincliffe to try and confirm a booking of one of their function rooms. This was to give the correct backdrop for the film noir that we were creating:
The conversation was along the lines of:
'Hi, I was wondering if a media group from Hartlepool Sixth Form College could use a function room to film some of our coursework. We won't disturb anyone and be very grateful'
Monday, 31 January 2011
Thursday, 27 January 2011
9 Screen analysis
The title sequence of Seven tells us more about the type of person John Doe is before we meet him. We see that he is an educated man who has a masochistic side to him. We see him taking his fingers prints off with a sharp blade so he cant be caught. He is also making diary notes about his potential victims. We see a lot of newspaper cuttings which resembles the typical genre of film noir. During the sequence there is music which creates an eery feel and builds up the type of film and character the viewer is going to learn about. The text of the actors/directors etc are white and move within the beat of the music they look as if they have been handwritten which give a personal attachment from film to audience. The writing looks scratchy and rushed which backs up the feel of the film. The film is generally about; greed, money, envy and religion. During the opening sequence we also get an insight into John Doe's thinking methods as we learn that he is wanting to rein-act the seven deadly sins. The ending of the film is leaves the viewer in a down beat mood as it finishes on a sorrowful note.
Wednesday, 26 January 2011
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